I reconstructed the geometric composition of 'The Tangential Eccentric' as an exercise, and then tried to derive forms that were, by the very nature of the system, somewhere between abstract and figurative. Finally, I tried to give a figurative form to one of the innumerable configurations that can be derived from this system. Karl Gerstner's mechanical form somehow has an almost natural force, comparable to the disruptive force of a wave.

For the composition of the poster, I tried to keep a strongly linear and geometric structure as a point of reference. The element of the circle and rotations with progressive centres occupies the centre of the composition, albeit a centre that is constantly moving. The textual part frames and encloses the meaning of the figure.

The chromatic component contextualises the environment to which the figurative form obtained from the geometric structure refers. However, I wanted the colour to never be invasive and to accompany without invading the geometric structure. The colour is totally flat, although the gradations of light and saturation juxtaposed consecutively create the effect of a gradient, which is however only an optical illusion.